News
Trust Complete
October 1, 2015
Trust is finished! Check it out in the Video section and on Vimeo!
Bleak Talons
August 1, 2015
Bleak Talons is now out! Check it out on Vimeo and YouTube!

Law Abiding Angels
July 18, 2015
Still from the short film Law Abiding Angels -trying to capture the same look as my author picture!

Trust Shoot
June 13, 2015
Just finished wrapping Trust w/ John Huselage! A quick pic of our 'torture room'.

Charley's Aunt - Review
March 23, 2015
"There is some good work coming from some of the actors: Andy Brown delivers a wonderfully droll and lecherous performance as Stephen Spettigue, Curtis Allmon is quite good as Jack Chesney and Carrie H. Stephens is charming (although too young for the part) as Donna Lucia. The standout performances of the evening; however, are given by Ian King as Brasset and Isto Barton, who is hilarious as Lord Fancourt Babberly."
- Frank Benge, Broadway World Austin

Charley's Aunt Opens!
March 20, 2015
Different Stages continues its 2013 – 2014 season with Brandon Thomas's Charley's Aunt. Oxford students Jack and Charley can''t court their sweethearts without a chaperone. Charley's aunt is on her way from Brazil and will fit the bill – until her arrival is delayed! What to do, what to do? By George, they hire an impersonator, or rather coerce their rascally schoolmate Fancourt to pose as Charley's aunt from Brazil, – “where the nuts come from.” Complications begin when the schoolmate, in drag, becomes the love object of two older men.

Law Abiding Angels Teaser
January 19, 2015
The teaser video created to support LAA's Kickstarter campaign is now up on the website! Check it out in the Video section!

Murder on the Nile - Review
May 4, 2012
"Also of special note are the performances of Carrie H. Stephens as new bride Kay Mostyn and Tyler Jones as the rebellious Smith. Both Stephens and Jones keep it real by creating believable, accessible characters in the midst of much melodrama."
- Adam Roberts, The Austin Chronicle

No Exit - Review
July, 2011
"Carrie Stephens portrays Estelle Rigault, a character much unlike the others in that she has not embraced her true self. Certainly, she is self-aware and self absorbed and perhaps even self actualized, but she is far from cognizant of what she has become. Her howls of innocence are legitimate in that she knows herself to be innocent enough. This is a difficult role that Stephens plays with endearing aplomb. It would be easier to tackle this character with a non-traditional interpretation: to re-define her as clear-cut siren or an out-right simpleton. One could even borrow from contemporary media and just send a thousand mixed symbols into the stratosphere and pretend they have no significance beyond that of the moment in which they are sent. Yet Stephens does not take this escape. Her depiction of Estelle is, not to coin a phrase, “to thine own self be true.” In turns, she is promiscuous, faithful, confused, repentant, seductive and absent -- but always compelling, always convincing."
- Brian Paul Scipione, Austin Live Theatre